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14. Skylark ~ Monica Mancini

15. Overjoyed ~ Nnenna Freelon

如果粱溪人家对歌剧感兴趣，建议从《歌剧黄页》着手，再一步步一部部地深入进去。

The Yellow Guide: Opera Mxp4YQ
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歌剧黄页  9h=WWu',  
DG旗下众名家  F RUt}*  
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歌剧充满着燃烧的热情、无法平息的仇恨、恐怖的阴谋和激烈的冲突，歌剧所创造的世界，牵动着无数人的神经，其瑰丽多彩的魅力，其他艺术形式均无法企及。从史诗般的《那布果》、《奥菲欧与尤丽迪茜》的奇异国度，到《费加罗婚礼》中伯爵夫人的秘密，歌剧的世界是那么的引人入胜。此套《歌剧黄页》则告诉你一百个歌剧的故事。DG凭着当今全球最大古典音乐公司所积累的丰富歌剧宝藏，精选出近四个小时的精彩选段，让你迅速走近这个热情、神秘的世界。三张CD被分成三“幕”一一管弦乐选曲、咏叹调和伟大的戏剧性场景，所选作品都是每一出歌剧的精华所在，让你沉浸在帕瓦洛蒂、多明戈、费雪狄斯考、狄卡娜娃等巨擘震撼人心的歌声里，融入《卡门》、《赛维利亚理发师》、《费加罗婚礼》、《茶花女》、《玫瑰骑士》等千古不朽的歌剧世界中。 ]g!<5w  

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全套三碟的曲目： ?`}U|]c  
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Carmen, opera, overtures & intermezzi for orchestra Overture .8~ x;P6  
Composed by Georges Bizet lV="IP^7  
Performed by London Symphony Orchestra 1S#bV} !  
Conducted by Claudio Abbado {IwYoRaXa  
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Overture to L'italiana in Algeri (The Italian Girl in Algiers) H9[.#+ln  
Composed by Gioachino Rossini 50`r}
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Performed by Vienna Philharmonic Orchestra y +vcBuX  
Conducted by Claudio Abbado O$^YUHD  
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Cavalleria rusticana, opera (melodramma) in 1 act Intermezzo 6>%NL"* ]  
Composed by Pietro Mascagni 9V!K._Cb  
Performed by London Philharmonia Orchestra @L7rE)AU.  
Conducted by Giuseppe Sinopoli h {btT  
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La forza del destino, opera Overture PxY"{-iAM  
Composed by Giuseppe Verdi `8Ix&d3F  
Performed by London Philharmonia Orchestra %hQ`b$07t  
Conducted by Giuseppe Sinopoli 4TV9t"Dk+c  
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Marche de Rákóczy (Rákóczy March), for orchestra (Le damnation de Faust), H. 109 M-t9zT  
Composed by Hector Berlioz >8- `  
Performed by Boston Symphony Orchestra _JoA=<O!  
Conducted by Seiji Ozawa 2US8<sq+  
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Die Fledermaus (The Bat), overture to the operetta (RV 503-1) ?~8V;Qn  
Composed by Johann II Strauss =p:6u_@XWj  
Performed by Munich Bavarian State Orchestra dksnW!  
Conducted by Carlos Kleiber sS|5x  
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Eugene Onegin, opera, Op. 24 Polonaise }wKU=Vm  
Composed by Pyotr Il'yich Tchaikovsky kY&j~R[C  
Performed by Dresden Staatskapelle J{I?t~u  
Conducted by James Levine p! 1zhD  
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Die Götterdämmerung (Twilight of the Gods), opera, WWV 86d Siegfried's Funeral March WX9BS$}0  
Composed by Richard Wagner :-n4!z"k  
Performed by Berlin Philharmonic Orchestra W'yICt(#G  
Conducted by Herbert von Karajan l-rI|0D#  
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Salome's Dance, for orchestra (from the opera, "Dance of the Seven Veils") (TrV 215a) 
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Composed by Richard Strauss [;
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Performed by Dresden Staatskapelle EY(4<;)  
Conducted by Giuseppe Sinopoli ?:c hAN@  
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Fidelio, overture, Op. 72c ,P]{*uqGiB  
Composed by Ludwig van Beethoven U6"50G~u  
Performed by Vienna Philharmonic Orchestra EO^0sF<  
Conducted by Leonard Bernstein 6iOAYA=  
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Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 Overture &3MHe$  
Composed by Wolfgang Amadeus Mozart ?e*vvu33!  
Performed by English Baroque Soloists ,;;~dfHm  
Conducted by John Eliot Gardiner z841g `:C  
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Don Giovanni, opera, K. 527 Madamina (Catalogue Aria) ?g2K&  
Composed by Wolfgang Amadeus Mozart
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Performed by Berlin Philharmonic Orchestra Y|bGd_j  
with Ferruccio Furlanetto |RdSrVB  
Conducted by Herbert von Karajan O4{&B@!  
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La bohème, opera Che gelida manina _GS2&|7`  
Composed by Giacomo Puccini e5Z\v0  
Performed by Roma Orchestra dell'Accademia Nazionale di Santa Cecilia 8vCHH&`  
with Jerry Hadley 6$Y1[  
Conducted by Leonard Bernstein  E2l.  
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Il barbière di Siviglia (The Barber of Seville), opera Largo al factorum K7U<~f$OiN  
Composed by Gioachino Rossini dpS  
Performed by London Symphony Orchestra wP'`!O[W  
with Hermann Prey gxiJ`.D=  
Conducted by Claudio Abbado 2]l*{l^ Bl  
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Carmen, opéra-comique in 4 acts Près des remparts de Séville (Seguidilla) G(L*8U<UG  
Composed by Georges Bizet /TdTo@  
Performed by London Symphony Orchestra mDhU wZH  
with Teresa Berganza, Placido Domingo :Wln
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Conducted by Claudio Abbado 6+>rf{5P7  
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La Traviata, opera Sempre libera Hmz[pTQ|87  
Composed by Giuseppe Verdi Z|.z~53;  
Performed by Munich Bavarian State Orchestra 1*5n}cU~  
with Placido Domingo, Ileana Cotrubas ["z$rk  
Conducted by Carlos Kleiber BFY~::<b  
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Turandot, opera Nessun dorma tSjK=1"}  
Composed by Giacomo Puccini &b%6pVj  
Performed by Vienna Philharmonic Orchestra CwAl-o  
with Placido Domingo }v?{npEOt+  
Conducted by Herbert von Karajan B{Rig5Sc  
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Tristan und Isolde, opera, WWV 90 Mild und leise (Liebestod) %(i(ZW "  
Composed by Richard Wagner m@~HHwj  
Performed by Bayreuth Festival Orchestra n D?XP<9UU  
with Birgit Nilsson y]k`}&-~  
Conducted by Karl Bohm HO' HkVA  
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Tosca, opera Vissi d'arte p^2pv{by  
Composed by Giacomo Puccini XHV+Y+VG  
Performed by Berlin Philharmonic Orchestra RZ -w,~  
with Katia Ricciarelli M9MEQK  
Conducted by Herbert von Karajan @Q'5/q+  
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Die Zauberflöte (The Magic Flute), opera, K. 620 Der Vogelfänger bin ich ja 9P]TIV.  
Composed by Wolfgang Amadeus Mozart 7Sokn?~i  
Performed by Berlin Philharmonic Orchestra $iV3>>;eh  
with Dietrich Fischer-Dieskau jRGG5w}  
Conducted by Karl Bohm z-,'W`  
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Il barbière di Siviglia (The Barber of Seville), opera Una voce poco fa v / a/  
Composed by Gioachino Rossini PUI.Un2C_  
Performed by London Symphony Orchestra *J6qL! ["  
with Teresa Berganza 4h|D[Cb]  
Conducted by Claudio Abbado /g21.*Z  
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Pagliacci, opera Recitar!...Vesti la giubba uzsR*x%s-  
Composed by Ruggero Leoncavallo 79&Mc,69  
Performed by La Scala Theater Orchestra 6rk/74gI,a  
with Carlo Bergonzi Wd[XQZ<  
Conducted by Herbert von Karajan lps  
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Die Zauberflöte (The Magic Flute), opera, K. 620 Der Hölle Rache x9uA@$l^|
 
Composed by Wolfgang Amadeus Mozart d;f,vN(  
Performed by Berlin Philharmonic Orchestra ivt\| >  
with Roberta Peters !-: a`Vs+  
Conducted by Karl Bohm T_r[#j  
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Eugene Onegin, opera, Op. 24 Lyubvi vse vozrasï pokorni (Gremin's Aria)
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Composed by Pyotr Il'yich Tchaikovsky 1Eg,iTn2*x  
Performed by Dresden Staatskapelle yfV{2[8ux  
with Paata Burchuladze s4w<X}O_  
Conducted by James Levine D}:D,s8UP  
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L'elisir d'amore, opera Una furtiva lagrima v5&WW
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Composed by Gaetano Donizetti /wmJMX  
Performed by Metropolitan Opera Orchestra `toSU>:  
with Luciano Pavarotti am`eist:  
Conducted by James Levine [QeKT8  
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Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 Non più andrai ^ K/B[8  
Composed by Wolfgang Amadeus Mozart }(gXlF  
Performed by English Baroque Soloists ]RxNSr0e  
with Bryn Terfel !\p-|51  
Conducted by John Eliot Gardiner KExfa4W 3{  
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Thy hand, Belinda...When I am laid in Earth (from "Dido and Aeneas"), soprano aria, Z. 626/37 When I am laid in earth lk8VJ~2d  
Composed by Henry Purcell |>VHV} 4)<  
Performed by English Concert qWo|LpxWt  
with Anne Sofie von Otter v%_sCg  
Conducted by Trevor Pinnock cZ5[A
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Der Freischütz, opera, J. 277 (Op. 77) Was gleicht wohl auf Erden h$lY,7  
Composed by Carl Maria von Weber E]Kd`&^}  
Performed by Dresden Staatskapelle JG4Tb{F=  
Conducted by Carlos Kleiber eK
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La Traviata, opera Libiamo ne' lieti calici (Brindisi) u6I# D _  
Composed by Giuseppe Verdi MECR0S9  
Performed by Bavarian State Opera Orchestra aX0sy\Z]j  
with Placido Domingo, Ileana Cotrubas X!r!lW  
Conducted by Carlos Kleiber !zD| @sX{  
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Così fan tutte, opera, K. 588 Soave sia il vento %R(j|a9z  
Composed by Wolfgang Amadeus Mozart @w@rW }i0  
Performed by Vienna Philharmonic Orchestra x`a@h\n  
with Ann Murray, Kiri Te Kanawa, Ferruccio Furlanetto d ;
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Conducted by James Levine H.'_NCF&;L  
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Lucia di Lammermoor, opera Chi mi frena in tal momento? (Sextet) 10*U2FY)]  
Composed by Gaetano Donizetti nQ8EV>j2  
Performed by London Symphony Orchestra G$ipWi  
with Jennifer Larmore, Placido Domingo, Cheryl Studer, Samuel Ramey, Fernando de la Mora, Juan Pons _QCAV+K'  
Conducted by Ion Marin iPxSVH[  
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Fidelio, opera, Op. 72 O welche Lust (Prisoners' Chorus) IhUuL0  
Composed by Ludwig van Beethoven UGl}=hwKkG  
Performed by Vienna Philharmonic Orchestra a]75z)XR  
with Alfred Sramek, Karl Terkal ;0@"1`  
Conducted by Leonard Bernstein Jg^tr>I~  
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Le nozze di Figaro (The Marriage of Figaro), opera, K. 492 Crudel! Perché finora farmi languir così 5JQq?e)n  
Composed by Wolfgang Amadeus Mozart t'~:me!  
Performed by English Baroque Soloists B,}%1+*  
with Alison Hagley, Rodney Gilfry BC&Et62*  
Conducted by John Eliot Gardiner =w,%W^"E  
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King Arthur, or, The British Worthy, semi-opera, Z. 628 See, see, we assemble (Chorus of Cold People) _M{m6k(h  
Composed by Henry Purcell sd Z=3)  
Performed by English Concert QiY7m<3  
Conducted by Trevor Pinnock _Tev503  
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Don Giovanni, opera, K. 527 Don Giovanni, a cenar teco ==Ju2D?%  
Composed by Wolfgang Amadeus Mozart %$Mvq&ZZ  
Performed by Berlin Philharmonic Orchestra L[<MBgFKv  
with Samuel Ramey, Paata Burchuladze, Ferruccio Furlanetto T7&itgEYG/  
Conducted by Herbert von Karajan ;sb0,2YyP  
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Lohengrin, opera, WWV 75 Treulich geführt (Wedding March) v^JyVf>  
Composed by Richard Wagner Wu%;{y~#}  
Performed by Bavarian Radio Symphony Orchestra (,HAOs  
Conducted by Rafael Kubelik wMei`svY  

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La bohème, opera O Mimì, tu piì non torni UI |D?z<  
Composed by Giacomo Puccini Nqz-Mr`  
Performed by Roma Orchestra dell'Accademia Nazionale di Santa Cecilia I5PaY.i  
with Thomas Hampson, Jerry Hadley W&6ye  
Conducted by Leonard Bernstein -H{c@hl  
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Il Trovatore, opera Vedi! le fosche (Anvil Chorus) ptYQP^6S[  
Composed by Giuseppe Verdi 8ec~"vGLz~  
Performed by Roma Orchestra dell'Accademia Nazionale di Santa Cecilia (iH5F9WO  
Conducted by Carlo Maria Giulini ^h=;]vxO  
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Les contes d'Hoffmann, opera in 4 acts Belle nuit, ô nuit d'amour (Barcarolle) *COr^7Kf5  
Composed by Jacques Offenbach BwrMRMq"  
Performed by French Radio Orchestra [K%Jt  
with Claudia Eder, Edita Gruberova [BmondOx  
Conducted by Seiji Ozawa DS-Kot(k(z  
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Nabucco, opera (Nabucodonosor) Va pensiero, sull'ali dorate (Chorus of Hebrew Slaves) X=_N7!  
Composed by Giuseppe Verdi hNSV}~h  
Performed by Berlin State Opera Orchestra qDOx5.d  
Conducted by Giuseppe Sinopoli i5V ly'Q  
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Der Rosenkavalier, opera, Op. 59 (TrV 227) Marie Theres'! Hab' mir's gelobt (Final Scene) 4LKOBiEM  
Composed by Richard Strauss v&p
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Performed by Vienna Philharmonic Orchestra dLG5yx\js  
with Anna Tomowa-Sintow, Janet Perry, Gottfried Hornik, Agnes Baltsa 4e1Zyi!  
Conducted by Herbert von Karajan (8k3z`  
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Wozzeck, opera, Op. 7 Ringel, Ringel, Rosenkranz, Ringelreih'n! 
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Composed by Alban Berg AgO:"'c
 
Performed by Vienna Philharmonic Orchestra w9l)=[s=  
with Viktoria Lehner ;%hlh)k$  
Conducted by Claudio Abbado

The Yellow Guide-Classical Music N@)tU;U3O  
古典黄页  )9l5gZX'I  
DG旗下众名家  '$UlJDZ  
DG　 457 440-2 cdf8YN0!  
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为纪念百岁华诞，古典音乐老字号唱片公司特别企划的两套巨献式套装CD中的一套。取名“黄页”，并采用黄色基调的包装。是暗示：音乐史、音乐家与唱片的历史，都离不开Deutsche grammophon这个黄色的厂牌。事实上，由唱片之父柏林纳一手创建的DG，与整个唱片业历史几乎同步发展着，并一直与20世纪最具领导性的音乐家合作，创造出无数录音极品，也建立了一个独特的传统。可以这么说，这世上真正的古典音乐迷，都爱受过DG黄色传统的影响。 wYOSaGyZ0I  
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这套“黄页”套装CD，以普及古典音乐、弘扬DG优良传统来定位，号称为“所有听众”而设。尤其对那些渴望领悟古典音乐奥秘而不得的新进爱乐人。更有将你从不毛之地引入不能回头的音乐世界的价值。 CXb)k.L  
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精挑细选后接近四个小时的音乐，集合了本世纪最伟大的音乐名家：卡拉扬、阿巴多、加德纳、小泽征尔、朱里尼、阿格里奇、夏汉姆、齐默曼、马泽尔……《四季》、《弥赛亚》、《安魂曲》、《英雄交响曲》、《鳟鱼五重奏》、《动物狂欢节》、《匈牙利狂想曲》、《罗密欧与朱丽叶》……这就是一个西方古典音乐文化的指南针！ #=q)>+\  
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全套三碟的曲目： nkSYW]aQ1g  
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Missa Papae Marcelli, for 6 voices Kyrie |*e >hk  
Composed by Giovanni Pierluigi da Palestrina %, XyhS5[o  
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La favola d'Orfeo, opera, SV 318 Act I: in questo lieto e fortunato giorno <pK
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Composed by Claudio Monteverdi /`Yp]l  
with English Baroque Soloists YJ_LD6PL9  

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Violin Concerto, for violin, strings & continuo in F minor ("L'inverno," The Four Seasons; "Il cimento" No. 4), Op. 8/4, RV 297 Allegro non molto 2~K.m@U}!Z  
Composed by Antonio Vivaldi oost}%WxN  
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Orchestral Suite No. 3 in D major, BWV 1068 Air C3:4V2<_  
Composed by Johann Sebastian Bach wMT?p/9Blm  
with Cologne Musica Antiqua $7T
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String Quartet No. 62 in C major ("Emperor"), Op. 76/3, H. 3/77 Poco adagio cantabile 8~u#?xs6  
Composed by Franz Joseph Haydn @c9VCG D  
with Amadeus Quartet ezY _7  
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Requiem for soloists, chorus, and orchestra, K. 626 Lacrimosa CY<,p
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Composed by Wolfgang Amadeus Mozart %
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with Vienna Singverein 6dt]$  
Conducted by Herbert von Karajan u0Fu_Rtr  
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Caprice for solo violin in A minor (Theme & Variations), Op. 1/24 <9@I50;  
Composed by Niccolo Paganini o2He}t2o  
with Jill Mintz EX~ U(JB6  
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Overture to Guillaume Tell (William Tell) 7^A;.x  
Composed by Gioachino Rossini I;S[Ft8
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Conducted by Claudio Abbado Wt"fn&R}  
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Quintet for piano, violin, viola, cello & double bass in A major ("Trout"), D. 667 (Op. posth. 114) Fourth Movement Rq%g5lK  
Composed by Franz Schubert hCQzD2  
with Amadeus Quartet /o*r[g7<  
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Symphonie fantastique for orchestra ("Episode de la vie d'un Artiste...en cinq parties"), H.48 (Op. 14) Second Movement "A Ball" >t<FG2  
Composed by Hector Berlioz S>Z V8  
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A Midsummer Night's Dream, incidental music, Op. 61 Wedding March !i&^H,  
Composed by Felix Mendelssohn sZ/~pk  
Conducted by Seiji Ozawa ;X[mfg\  
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Etude for piano No. 18 in G sharp minor, Op. 25/6, CT. 31 ]!E|5=q  
Composed by Fryderyk Chopin %fGS< W;  
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Kinderszenen (Scenes from Childhood) for piano, Op. 15 Träumerei <]r.wn=}M  
Composed by Robert Schumann Y4sf
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Hungarian Rhapsody, for piano No. 6 in D flat major, S. 244/6 (LW A132/6) t|jX%s=  
Composed by Franz Liszt Uvgv<OR`_  
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p6$ QTx  
Die Walküre (The Valkyrie), opera, WWV 86b Act III: Ride of the Valkyries Z$ {I4a  
Composed by Richard Wagner ,^3eMn  
Conducted by James Levine kL 6f^MoL  
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Nabucco, opera (Nabucodonosor) Act III: Va pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) *Em 9R  
Composed by Giuseppe Verdi ?"]fGp6y  
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Prodaná nevesta (The Bartered Bride), overture to the opera 7^4F,JuJO  
Composed by Bedrich Smetana JV=d!Gi[C  
Conducted by James Levine ~@S5*(&8  
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Te Deum in C major, for soloists, chorus, orchestra & organ, WAB 45 First Movement: Te Deum O,>1GKw"\  
Composed by Anton Bruckner 6UXa 5t  
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An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314) /-TJtR4>  
Composed by Johann II Strauss h?jy'>T?b2  
Conducted by Herbert von Karajan M:z)uLDw  
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Symphony No. 3 in F major, Op. 90 Third Movement: Poco allegretto ]1>U@oK  
Composed by Johannes Brahms #"&h'V  
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The Swan (from "Carnival of the Animals"), original (for 2 pianos & ensemble) and arrangements ;Y5"[C9|  
Composed by Camille Saint-Saens al$G OMi  
Conducted by Semyon Bychkov 8`XT`H  
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Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel The Great Gate of Kiev E}sjl  
Composed by Modest Mussorgsky {|c <8  
Conducted by Carlo Maria Giulini |FGt'  
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Symphony No. 5 in E minor, Op. 64 Third Movement: Valse .%j&#(!  
Composed by Pyotr Il'yich Tchaikovsky H)(@A W+-  
Conducted by Mikhail Pletnev !:P
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Symphony No. 9 in E minor ("From the New World"), B. 178 (Op. 95) (first published as No. 5) Second Movement: Largo +VE }c  
Composed by Antonin Dvorak ~gQ$etPd  
Conducted by Lorin Maazel n&Bolt(tO  
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Peer Gynt, incidental music, Op. 23 In the Hall of the Mountain King p1 > D  
Composed by Edvard Grieg p(in.Xz  
Conducted by Neeme Jarvi t33/QW r  

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Madama Butterfly (Madame Butterfly), opera Act II: un bel dì vedremo
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Composed by Giacomo Puccini h?5$-#q~  
Conducted by Giuseppe Sinopoli KoZ" yD  
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Adagietto, for orchestra (from the Symphony No. 5) jE|Ju:}&  
Composed by Gustav Mahler xq+$Q:f  
Conducted by Pierre Boulez Sr Z\]  
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Préludes (12) for piano, Book II, L. 123 Feux d'artifice N>!RKf:ir  
Composed by Claude Debussy I9O!CQCTt  
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Also sprach Zarathustra (Thus Spoke Zoroaster), tone poem for orchestra, Op. 30 (TrV 176) Introduction
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Composed by Richard Strauss 6*9hAnH  
Conducted by Herbert von Karajan 9AK<<Mge.  
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Valse Triste, for orchestra (from Kuolema), Op. 44/1 cf)2GoV>e  
Composed by Jean Sibelius 8mI eW  
Conducted by Herbert von Karajan m,NUNd#)\  
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Gymnopedie for piano No.1 XF(0>-  
Composed by Erik Satie H)S" `j  
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Rhapsody on a Theme of Paganini (Introduction and 24 Variations), in A minor for piano & orchestra, Op. 43 Variation No.18 v1%rlP  
Composed by Sergey Rachmaninov ^vmT=f;TM  
Conducted by Yuri Akhronovich +U_> Bo  
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Pavane pour une infante défunte, for piano (or orchestra) 6!7L
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Composed by Maurice Ravel ,4wVQ(,?cd  
Conducted by Claudio Abbado T;K,.a8bU  
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Concerto for Orchestra, Sz. 116, BB 127 Second Movement # le<R  
Composed by Bela Bartok E/z^~;KA  
Conducted by Pierre Boulez (]7&][  
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L'oiseau de feu (The Firebird), ballet in 2 scenes for orchestra Infernal Dance k?ubr)[)  
Composed by Igor Stravinsky  Ht|No  
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Lulu, suite (from the opera), for soprano & orchestra Lied der Lulu /T&z :st0  
Composed by Alban Berg 9SF2  
Conducted by Claudio Abbado yx?Z&9z <  
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Romeo and Juliet, Suite No. 2 for orchestra, Op. 64 ter Dance of the Knights 0; GnR0  
Composed by Sergey Prokofiev QSPneYD  
Conducted by Seiji Ozawa A.tONPi  
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Conducted by James Levine D#|+PG7  
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Violin Concerto First Movement 0Y[LzLn  
Composed by Philip Glass %&m/e?@%I  
Conducted by Ernst von Dohnanyi

这是《歌剧黄页》的德文版

引用第2038楼vip_laomao于2007-09-23 22:10发表的  :
1.一共有四集。虽然第一是最棒的，但我觉得4张都值得收藏！ )p*I(y  
最近又出了一张精选之精选，将4张唱片又精选了一下。 (IdXJvKU!  
.......

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Eva Cassidy應該出了三張，其他都是剪輯版。

引用第2056楼spenser于2007-09-24 00:27发表的  :
Eva Cassidy應該出了三張，其他都是剪輯版。

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Eva Cassidy三十三岁就离开人世，非常的可惜，否则她留在世上的好歌还会有好多好多！ o,o,(sII  
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我读过她的生平介绍，对她非常地欣赏和佩服，活在世上不为名不为利，她的人她的歌一直等到她去世过后才被人发现并得以流传。 hM}rf6B  
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我也很欣赏象娜娜莫斯柯丽等世界顶级歌手，卧薪尝胆潜心学习研究了十年二十年甚至更长时间，等技艺基础扎实后才出来演唱慢慢成名，如果一味地追求金钱追求商业氛围，那他（她）是完全没有艺术生命力可言的，更不要说对艺术有所贡献了！

Dvorak ---  Symphonies 1-9 lqD.epm  
德沃夏克9首交响曲(全集) ?&qa3y)wX:  
Istvan Kertesz/London Symphony Orchestra 1oD1ia#  
克尔提斯指挥伦敦交响乐团 &yu3nA:7D  
Decca  430 046-2 (6CD) lr>:S  
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天才的匈牙利指挥家伊斯特万·克尔提斯是德沃夏克、巴托克和柯达伊等人作品最佳诠释者之一的权威性地位，而身后，他留下的种种成就卓著的优秀唱片，更是受到乐迷们长久的眷恋。在这些成就中，最突出的当然就是这套1963-1966年间录音的德沃夏克交响曲全集唱片了，它一向都是乐迷们心目中的首选全集版本。 =m<; Jx5  
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其实库贝利克在DG，小多赫南伊在Decca，也都灌录过德沃夏克的全部交响曲，也都相当端庄，水平整齐。甚至我还很中意在捷克厂牌Supraphon的一套纽曼指挥捷克爱乐的全集LP。那些演奏极为兴奋放肆，居然还让长号吹出一点“破”声，好不狂放！让人觉得他们是在演奏一位同辈朋友的作品，好像纽曼乃至乐队的每一位乐手都自以为和德沃夏克是哥儿们似的。可惜这套捷克厂牌的LP不易搜寻，而我又很怀疑它有过再版的CD，因为在这个70年代的版本之后，纽曼和捷克爱乐1984年又再度灌录了一个数码录音的新版，这回是CD的了。但无论演奏还是录音，在我听来，新版都大不如LP旧版。 9VqE:c /  
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当然，德沃夏克交响曲是否该像纽曼那样演奏，我也不是十分吃得准。为保险起见，被公认为是德沃夏克的最佳代言人的克尔提斯的这套，仍应看作首选。 93Z/|7  
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曲目: "EA6RFRD  
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德沃夏克：第一交响曲 DVORAK: Symphoy No.1 YH_m
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德沃夏克的《第一交响曲》，OP.3，C小调，完成于1865年，标题为《紫洛尼采的钟》(The Bells of Zlonice)。此曲据考为参加当时德国比赛的落选作品，因此而遗失，直至1882年布拉格历史学者鲁多尔夫·德沃夏克偶然在一家乐谱店发现总谱，他死后1923年，其子才在布拉格音乐学院小提琴教授费尔特协助下，确认这是德沃夏克作品，并于1961年出版。紫洛尼采为距布拉格80公里外的一个小镇，德沃夏克曾在这里生活过4年，此曲是对当时生活的回忆。也有一种说法，说德沃夏克当时热恋于捷克剧场的一位名演员约瑟芬·契玛克，此曲融入了其初恋的感情。共4个乐章：1.C小调，由徐缓的序奏与急速奏鸣曲式的主部构成，以低音管与圆号的圣咏风格旋律开始，主部呈现丰富的旋律感，以木管与定音鼓独特的节奏动机为主。第一主题以持续进行为主题，在圆滑奏与断奏互成对比的中间予以变化进行。第二主题与此进行对比。2.很慢的慢板，降A大调，3段体。在使用延长记号庄重的导入和弦乐句后双簧管奏出如歌剧中咏叹调般的主题。中间部后半部分，出现由此主题与新旋律构成的双重赋格。3.稍快板，C小调，3段体，相等于谐谑曲，因采用2/4拍，有进行曲的趣味。第一段以轻快的赋格法开始，中段为降E大调。4.生气勃勃的快板，C大调，回旋曲式。开始主题亦由双簧管表达，它由持续音与拔奏和弦延续，给人牧歌风格的印象，最后由圆号表现主要主题而告终。 f
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德沃夏克：第二交响曲 DVORAK: Symphony NO.2 c~_nOd  
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德沃夏克的《第二交响曲》，降B大调，OP.4，作于1865年，在1888年创作《第八交响曲》之前，曾加以删订，删除了比较冗长的部分。此曲1888年由车希指挥国民剧场管弦乐团在布拉格首演，共4个乐章：1.流畅的快板，降B大调，奏鸣曲式。第一主题较为温暖，而第二主题为F大调，单簧管、小提琴以对位的方式表现。发展部以第一主题的处理为主体，偶尔导入第二主题的片断。2.稍慢板，G小凋，自由的3段体，感伤的夜曲风格的乐章。第一段小提琴引出主题中插入双簧管的旋律，形成对比。中段以弦乐的新主题与木管新主题形成的双重赋格开始。3.谐谑曲，灿烂的快板，降B大调，3段体，继引之后，最初的主题呈现有小步舞曲的优雅，马上又出现与之互为对比的轻快主题。陆续出现半音阶手法、铜管的鼓号曲，以表现欢快的气氛。4.热情如火的快板，降B大调，自由的奏鸣曲式，洋溢着无限热情。第一主题明朗而具抒情气质，第二主题则充分展示圆号、中提琴和大提琴的魅力。发展部较短，再现部速度提为活泼的很快的快板，洋溢着喜兴的色彩。 KyQO>g{R  
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德沃夏克：第三交响曲 DVORAK: Symphony No.3 (s:ihpI  
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德沃夏克的《第三交响曲》，降E大调，OP.10，作于1873年，1874年3月30日由斯梅塔那指挥布拉格爱乐乐团首演。此曲创作时，德沃夏克与安娜新婚，其创作也受到社会承认，正值春风得意之际，全曲洋溢着澄明、愉悦的气氛。共4个乐章；1.中庸的快板，降E大调，奏鸣曲式。最初四度下行并具有独特节奏的动机是全曲的重心。第一主题为六连的16分音符音型与音阶化上行音形，第二主题为G大调，偶尔也加入六连16分音符音型。发展部以第二主题的处理为中心，再现部较呈示部更富戏剧性。2.很慢的慢板，升C小调，3段体，进行曲速度，类似于葬礼进行曲，有浓厚的瓦格纳色彩。中段以降D大调转呈明朗，巧妙地利用竖琴表达细致的律动与稳重的抒情。3.活泼的快板，降E大调，回旋曲式，其主题轻快而富于节奏，令人想起德沃夏克的《幽默曲》，实际上是歌剧《国王与矿工》第一段第三幕中D大调的旋律。此乐章的情绪似乎是对充满希望与期待的将来的向往。 4CUoXs'  
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德沃夏克：第四交响曲 DVORAK: Symphony NO.4 +[LG>  
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德沃夏克的《第四交响曲》，OP.13，D小调，作于1874年，1874年5月25日，由斯梅塔纳指挥布拉格音乐演奏团首演第三乐章，全曲首演干1892年3月6日，由德沃夏克亲自指挥。共4个乐章：1.快板，D小调，奏鸣曲式。紧接于开头动机之后的第一主题，在第三乐章中将再给予回想。第二主题显得稳静，有捷克风格的新节奏感，它的反复处理形成高潮。发展部是将呈示部所有丰富材料一一加以消化，结尾长大而丰富。2.颇像歌唱般的行板，降B大调，变奏曲式。最初的主题在和声或调性等各方面都可见瓦格纳的《唐豪塞》等合唱的影响，波西米亚色彩极浓，共5段变奏，均能保持主题的宗教风格。3.谐谑曲，粗暴的快板，D小调，其最初的主题后用于OP.68《波西米亚森林》。此乐章以打击乐与竖琴的演奏为重，中段为C大调，描写假日波西米亚农民的队伍。4.灿烂的快板，D小调，回旋曲式。其主题以断奏清晰地呈现，紧接着与之互为对照的木管柔美的旋律。副主题速度减慢，由小提琴流畅地表达。第三乐章的颤音动机再度出现。 [#+yL  
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德沃夏克：第五交响曲 DVORAK: Symphony No.5 |@84l  
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德沃夏克的《第五交响曲》，OP.76，F大调，作于1875年，呈献给封·彪罗，1879年3月25日由车希指挥捷克剧场管弦乐团首演。共4个乐章：1.从容的快板，F大调，奏鸣曲式。从单管演奏第一主题始，就呈现出恬静的牧歌风格。其次的经过部为威风凛凛，有波西米亚舞曲福里安风格的节奏。第二主题以D大调呈现，发展部以第一主题处理为中心，导入福里安节奏，再现部将此经过部旋律再处理，第一主题与呈示部小结尾主题对位结合，第二主题发展至牧歌般的安适中结束。2.流畅的行板，A小调，3段体。其第一段如潜伏着不安的憧憬，最初大提琴主题指明为“悲哀地”。中段为A大调，充满明朗气氛。第三段以第一段自由形式再现，类似波西米亚的民俗音乐《悲歌》。3.几乎不变的流畅行板，降B大调。在主部之前，有一段序奏，由大提琴回忆第二乐章主题。主部为3段体，第一段以木管轻快的主题展开，越来越厚实，越来越明朗。中段为降D大调，显得更为朝气蓬勃。4.很快的快板，F大调，奏鸣曲式。在第一主题正式以F大调呈示之前，先以D小调将此主题予以自由变奏，形成序奏。第二主题单簧管与小提琴以应答呈示，紧接着发展部以后的再现部予以变奏。自第二主题始，然后再回复序奏开头部分。结尾再度以发展风格进行，最后巧妙地导入第一乐章第一主题形成高潮。 }OQaQf9V{  
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德沃夏克：第六交响曲 DVORAK: Symphony No.6 |E%i t?3M  
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德沃夏克的《第六交响曲》，OP.60，D大调，作于1880年，属德沃夏克作品中表现民族感情最强烈时期的创作，1881年3月25日由车希指挥捷克剧场管弦乐团首演。共4个乐章：1.不很快的快板，D大调，奏鸣曲式。描写正在迎接春天的捷克人的感觉。第一主题由喜悦、明亮的木管呈示，第二主题由双簧管表达。呈示部中加入福里安舞曲因素。发展部以对位方式发展，也有近琴马奏的(Sul ponticello)效果。2.慢板，降B大调，3段体。最初木管模仿风格的序奏后出现的主题，运用四度音程，全乐章散发着温暖的诗意趣味。3．谐谑曲，福里安舞曲，急板，D小调，3段体。其主要主题取自捷克民歌，第一段类似于德沃夏克自己的《斯拉夫舞曲》。中段为D大调，其和声构成有牧歌风味。4.精神抖擞的快板，D大调，奏鸣曲式。前乐章使用过的素材不再运用，基本以这个乐章的两个主题的对比纠缠发展。结尾速度提至急板，以第一主题变形开始而形成高潮。 JbV\eE#KrC  
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德沃夏克：第七交响曲 DVORAK: Symphony No.7 ]lX`[HX7  
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德沃夏克的《第七交响曲》，D小调，OP.70，作于1885年，1885年3月22日，由德沃夏克自己指挥，在伦敦爱乐协会举办的演奏会中首演。共4个乐章：1.庄严的快板，D小调，奏鸣曲式。第一主题多少带有一些苦闷，这个主题的发展中出现《宗教改革者序曲》灿烂的快板主题的动机。经过句之后，在弦乐安静的伴奏下，长笛与单簧管奏出平安的第二主题，随即不安的气氛被扫除，静静地结束呈示部。发展部由木管快速方式逐次奏出第一主题始，达到高潮后再出现第二主题，然后两个主题轮流发展，最后是小提琴的小结尾。2.稍慢板，F大调，自由的3段体，充满浪漫的内省气息，其主题呈圣歌风格。中段以圆号娴静可爱的主题开头，其中单簧管与圆号、长笛与低音管的应答都很迷人。第三段以对位形态的表达为主。3.谐谑曲，很快的快板，D小调，3段体。在弦乐的节奏律动下，低音管和大提琴奏出主要主题。此主题中有显著的动机持续音，以此为基础激动地发展。中段转为稍慢的速度，以G大调明朗地呈现，然后是各种乐器的相继模仿。4.快板，D小调，奏鸣曲式。单簧管和圆号先奏出充实的第一主题，在经过部中出现由木管演奏的两种明显动机。然后木管奏出民歌风格的第二主题。发展部以呈示部的小结尾主题动机开始，第一主题以对位化处理，再现部着重再现第二主题，然后结尾再回到第一主题而结束。 JJIlR{WY_  
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德沃夏克：第八交响曲 DVORAK: Symphony No.8 _T96.~Q  
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德沃夏克的《第八交响曲》，G大调，OP.88，作于1889年，1890年2月2日由德沃夏克自己指挥在布拉格首演。这是德沃夏克交响曲中波西米亚色彩极浓的一首，因有即兴趣味，也被许多人称为“交响诗式的交响曲”。共4个乐章：1.灿烂的快板，G大调，奏鸣曲式。以大提琴、单簧管、圆号演奏优美、恬静的G小调悲歌旋律开头，看似序奏，实际却相当于第一主题的第一句。第一主题的第二句明朗而欢乐，与第一句形成第一乐章的重要因素。第二主题第一句由木管以B小调呈现，此第一句与第一主题第二句相关发展，然后木管又以B大调和谐地表现第二主题第二句，与圆号相互应答。发展部速度减慢，先以各件乐器处理第一主题第二句，再处理第一句、第二主题第一句、第二句。2.慢板，C小调，不规则的3段体。以弦乐的柔美旋律始，充满乡村宁静祥和的气氛，其间加入长笛与双簧管类似小鸟般的啼鸣。中段转为明亮的C大调，活泼的风格，长笛与双簧管在急促的弦乐音型上呈现，有人认为是在描写乡村祭典。气氛热烈后再转为宁静，小鸟的啼声再现，最后静静地结束。3.优雅的稍快板，G小调，3段体。第一段略带几分忧郁，中段为G大调，圆舞曲风格。结尾为布拉姆斯在《第二交响曲》中使用的手法。以二倍速度将中段主题变形处理。4.从容的快板，G大调，变奏曲式。以小号强有力地奏进行曲旋律始，随后大提琴呈现第一乐章第一主题第二句富有异国情调的轻快主题，这个主题经过层次丰富的分段变奏，大提琴清晰地呈现主题，速度加快地进入尾声高潮。 $nkvp`A  
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德沃夏克：第九交响曲 DVORAK: Smphony No.9 `Z#0kpXk_  
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德沃夏克的《第九交响曲》，E小调，OP.95，为其在美国停留期间所作，标题为《新世界》。此作作于1893年，1893年12月16日由翟多尔指挥纽约爱乐乐团首演。共4个乐章；1.序奏，慢板，主部为很快的快板，E小调，奏鸣曲式。序奏大提琴先如圣咏般地奏出冥想般的旋律，然后各件乐器以沉思的形态给予剪影，使序奏成为一种精神的中心旋律。主部先以第三、第四圆号呈示第一主题，五声音阶的进行与切分音使用，突出该主题特性。这个主题被认为和黑人灵歌《流吧，约旦河》有连带关系。也有人认为，切分音与五声音阶的进行与居住匈牙利和波西米亚境内的马扎儿民俗曲调有某种“乡愁”的联系。第一主题展开后，是由长笛和双簧管以G小调呈现第二主题。此主题为黑人灵歌《老摩西卖玫瑰》的旋律。而呈示部小结尾的旋律来自黑人灵歌《马车自天上来》。在发展部，这个旋律被突出，而第一主题的发展则更巧妙自由。音乐评论家们认为，这是德沃夏克对美国这块新大陆纷至沓来印象的反应和对有色人种命运的同情。2.最慢板，复合3段体，降D大调。这个乐章原有《传奇》的标题，一连串庄严的和弦引出《回家》的旋律。因德沃夏克当时受朗费罗的诗《海华沙之歌》影响颇深，海华沙是印地安的一位民族英雄，其妻在饥饿中死去，人们在森林里为她掘好坟墓，向她默默地告别。德沃夏克以英国管吹奏《回家》的旋律，来表现海华沙的孤独形象。这个主题咏唱之后，升A小调插入句出现，速度略加快，长笛与双簧管奏出三连音符开始的中间部主题，优美的旋律随各种乐器次第呈现，极尽变化。最后还是回到英国管表达的回家乡愁而结束。3.很活泼的快板，E小调，谐谑曲。在短序奏之后，波西米亚农民纯朴舞曲节奏的主题开始呈现，与中段哀愁的旋律形成鲜明对照。这个乐章的第一中段为E大调，速度转为较慢，由长笛与双簧管呈现哀愁的主题，弦乐以和弦方式助奏。舞蹈风格的谐谑曲原凋再现，第二中段再以木管群呈现，对比十分突出。4.终曲，如火般热烈的快板，E小调。第一主题有进行曲的风格，似乎是从斯拉夫民族气质中吸取的坚毅，要扫除一切忧愁与伤感。第二主题带有女性的温柔，形成祥和静谧的氛围。但这种氛围很快被第三乐章谐谑曲主题，以及接踵而来的斯拉夫舞曲节奏的副主题旋律所打断。发展部以第一主题为主，兼并处理第一乐章第一主题、第二乐章为正主题、第三乐章为谐谑主题，串连所有的意趣。再现部在给予简洁的变化处理后，呈现雄壮豪迈的高潮而告终。 w5C$39e\G  
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歌剧太贵族了，当前还是从集锦等稍微了解一下，以后有闲，再慢慢欣赏和学习。